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RONDO (Markus Imhoof, 1968)
Die Zürcher Justizdirektion hat den Film umgehend verboten, weil sie der Meinung war, er werfe ein negatives Licht auf den Strafvollzug. Das Verbot wurde erst 1975 aufgehoben, unter der Bedingung, dass dem Film ein Erklärung vorangestellt werde, in dem ein Beamter der Justizdirektion vor der (jetzt farbig gefilmten) Strafanstalt Regensdorf festhält: «Dieser Filme wurde 1968 gedreht. Er ist also kein aktuelles Bild des heutigen Strafvollzugs».
Le département zurichois de la justice a immédiatement interdit le film parce qu'il estimait qu'il jetait une lumière négative sur le système pénal. L'interdiction n'a été levée qu'en 1975. Malgré la sortie du film, Markus Imhoof est resté suspect aux yeux des autorités. Dans ses fiches de la police politique, un fonctionnaire a noté qu'Imhoof avait tourné le film RONDO, auquel s'intéressait Jean-Paul Sartre, un citoyen français suspect.
The documentary film deals with the problems of the Swiss penal system. It uses an individual case to illustrate the mechanisms to which a prisoner is subjected in the prison. In addition, the film shows the past life of the prisoner, his previous crimes and relapses, as well as his constant conflicts with the social environment. The 40-minute film is a collage of image sequences, photos, interview statements, quotations and sound elements.
ORMENIS 199+69 (Markus Imhoof, 1969)
Der Film wurde erstmals an den Solothurner Filmtagen 1970 aufgeführt, in einer Zeit, als der Stab der Abteilung Heeresorganisation darüber diskutierte, die Kavallerie abzuschaffen. Die empörten Kavallerieverbände bewirkten nach der Premiere beim Bezirksgericht Zürich ein Aufführungsverbot des Filmes, für öffentliche Aufführungen wurde eine zensierte Fassung hergestellt.
Le film a été projeté pour la première fois aux Journées de Soleure en 1970, à une époque où l'armée discutait de l'abolition de la cavalerie. Les associations de cavalerie scandalisées ont interdit la projection du film au tribunal de district de Zurich après sa première, et une version censurée a été produite pour des projections publiques.
The film was first shown at the Solothurn Film Festival in 1970, at a time when the staff of the army organization discussed about abolishing the cavalry. The outraged cavalry associations caused a performance ban of the film after the premiere. For public performances a censored version was produced.