NZZ - Wechselbäder am Lago Maggiore
News March 2021
News February 2021
News January 2021
News December 2020
News November 2020
News October 2020
News September 2020
News August 2020
News July 2020
News June 2020
News May 2020
News April 2020
News March 2020
News February 2020
News January 2020
News December 2019
News November 2019
News October 2019
News September 2019
News August 2019
News July 2019
News June 2019
News May 2019
News April 2019
News March 2019
News February 2019
News January 2019
News December 2018
News November 2018
News October 2018
News September 2018
News August 2018
News July 2018
News June 2018
News May 2018
News April 2018
News March 2018
News February 2018
News January 2018
News December 2017
News November 2017
News October 2017
News September 2017
News August 2017
News July 2017
News June 2017
News May 2017
News April 2017
News March 2017
News February 2017
News January 2017
News December 2016
News November 2016
News October 2016
News September 2016
News August 2016
News July 2016
News June 2016
News May 2016
News April 2016
News March 2016
News Fabruary 2016
News January 2016
News December 2015
News November 2015
News October 2015
News September 2015
News August 2015
News July 2015
News June 2015
News May 2015
News April 2015
News March 2015
News February 2015
News January 2015
News December 2014
News November 2014
News October 2014
News September 2014
News August 2014
News July 2014
News June 2014
News May 2014
News April 2014
News March 2014
News February 2014
News January 2014
News December 2013
News November 2013
News October 2013
News August 2013
News July 2013
News June 2013
News May 2013
News April 2013
News March 2013
News February 2013
News January 2013
News December 2012
News November 2012
News October 2012
News Dezember 2012
News August 2012
News July 2012
News June 2012
News May 2012
News April 2012
News March 2012
News February 2012
News January 2012
News December 2011
News November 2011
News October 2011
News September 2011
News August 2011
News July 2011
News June 2011
News May 2011
News April 2011
News March 2011
News February 2011
News January 2011
News December 2010
News November 2010
News October 2010
News September 2010
News August 2010
News July 2010
News June 2010
News May 2010
News April 2010
News March 2010
News February 2010
News January 2010
News December 2009
News November 2009
News October 2009
News September 2009
News August 2009
News Juillet 2009
News June 2009
News May 2009
News April 2009
News March 2009
News February 2009
News January 2009
News December 2008
News November 2008
News October 2008
News December 2008
News August 2008
News July 2008
News June 2008
News May 2008
News April 2008
News March 2008
News February 2008
News January 2008
News December 2007
News November 2007
News October 2007
News September 2007
News August 2007
News July 2007
News June 2007
News May 2007
News April 2007
News March 2007
News February 2007
News January 2007
News December 2006
News November 2006
News October 2006
News September 2006
News August 2006
News July 2006
News June 2006
News May 2006
News April 2006
News March 2006
News February 2006
Der prominente Wochenendauftritt hat sich für den Schweizer Film gelohnt. Nicht nur für NACHTLÄRM, zu dem Autor Martin Suter ein Drehbuch über ein junges Paar geschrieben hat, dessen Schreibaby eine nächtliche, einmal vergnügliche, dann wieder gefährliche Odyssee mit turbulenten Screwball-Verwicklungen auslöst. Die zwischen Komödie und Drama changierende Geschichte ist rasant und fast schnörkellos vorwärts erzählt. Der versammelten Politprominenz gefiel der Film offensichtlich. Dass das Schweizer Filmschaffen solche Schaufenster mit Ausstrahlung über die Schweizer Landesgrenzen hinaus nützen darf, ist ein ermutigendes, positives Zeichen für die hiesige Branche.
Im internationalen Wettbewerb vertreten die Schweizer Beiträge zwei unterschiedliche Richtungen des vielfältigen Filmschaffens dieses Landes: THE END OF TIME von Peter Mettler ist das reife Werk eines Ausnahmekünstlers, der auf frei assoziative, formal wie bildlich packende Weise darüber nachdenken lässt, was Zeit ist: unsere Lebenszeit, die Zeit im Universum. IMAGE PROBLEM von Simon Baumann und Andreas Pfiffner vertritt indessen eine junge Generation von Filmemachern; sie machten sich mit viel Elan und Humor auf, den problematischen Ruf unseres Landes im Ausland aufzupolieren, mithilfe der Menschen, die sich vor ihrer Kamera präsentierten.