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DER GEHÜLFE (Thomas Koerfer, 1975) nach Robert Walser
Der 24-jährige Joseph Marti wird nach längerer Stellenlosigkeit als kaufmännischer Angestellter in das technische Büro des Ingenieurs und Erfinders C. Tobler nach Bärenswil vermittelt. Tobler hat sein gesamtes Vermögen in Erfindungen investiert, für die sich niemand interessiert. Neben den zu führenden Korrespondenzen, in der Regel diktierte hochtrabende Bittschreiben, erstrecken sich Martis Pflichten auch auf häusliche und familiäre Dienste. Dafür bewohnt er das Turmzimmer, wo er seine Freizeit mit Selbstanklagen und geistigen Übungen in Trotz und Rebellion totschlägt und an die scheuen, gefühlsverwirrten Momente mit der jungen Frau Tobler denkt.
After a considerable period of unemployment, 24-year-old Joseph Marti is offered a position as a clerk in the technical office of the engineer and inventor C. Tobler, of Bärenswil. Tobler has invested his entire fortune in inventions that have failed to attract anyone's attention. In addition to taking dictation of what are for the most part high-flown pleas for assistance, Marti's duties include a range of household chores and services to his master's family. To this end he is given the tower chamber as his digs, where he spends his leisure time cursing his fate, developing his skills of resistance and rebellion and rehearsing in his mind the shy, confused moments he has spent with the young Mrs Tobler.
A 24 ans, Joseph Marti est placé à Bärenswil, après une longue période sans emploi, dans le bureau technique de l'ingénieur et inventeur C. Tobler. Tobler a investi toute sa fortune dans des inventions qui n'intéressent personne. Outre la correspondance à liquider généralement des requêtes pompeuses qu'on lui dicte on confie aussi à Marti des tâches domestiques et familiales. En échange, il est logé au haut d'une tourelle; pendant ses loisirs, il tue le temps dans sa chambre en auto-flagellation et en révolte obstinée tout en songeant aux moments troublants qu'il passe, empli de craintes, avec la jeune Madame Tobler
DER GRÜNE HEINRICH (Thomas Koerfer, 1991) nach Gottfried Keller
Der grüne Heinrich, ein junger Maler, taucht in den Münchner Fasching ein. Vor einem alles entscheidenden Duell, erinnert er sich seiner turbulenten Jugendzeit in der Schweiz. Er denkt an seine geteilte Liebe: die reine Anna, seine Cousine, die an einer unheilbaren Krankheit leidet, und Judith, eine sinnliche Schauspielerin, die ihn seine erste Liebe vergessen lernt...
The night before a duel, Green Henry reflects upon his moving youth. The time was dominated by his early affection for his cousin Anna, who suffers from an incurable sickness, and a sensual actress, called Judith, who teaches Green Henry how to forget his first love...
Jeune adolescent, Henri le Vert qui s'est consacré au dessin, se trouve dans le carnaval de Munich. Avant qu'un duel ait lieu, il pense à sa jeunesse en Suisse, particulièrement à son amour partagé: Anne, son amour d'enfance qui souffre d'une maladie incurable, et Judith, une actrice sensuelle qui réussit à l'éblouir de plus en plus...