Neue Filme 15. August 2017

15.8.2017

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Les miracles de Ruxandra Zenide

LE MIRACLE DE TEKIR (Ruxandra Zenide)

In der Region von Tekir, mitten im Donaudelta, vermengen sich Aberglaube und Religion mit der Erde und dem Wasser, die den rätselhaften Schlamm des Ortes bilden. Mara, die aufgrund ihrer Schwangerschaft aus ihrem Dorf gejagt wurde, findet sich als Angestellte im Hotel Tekir wieder, wo sie unfruchtbare Frauen mit dem wundersamen Schlamm behandelt. Nach ihrer Begegnung mit der reichen, exzentrischen Madame Lili stellt Mara ihren Glauben und ihre Überzeugung in Frage. Die Beziehung zwischen den beiden Frauen steht im Mittelpunkt der Geschichte, in der Magie und Macht, Tradition und Moderne ineinander verfliessen.

In the heart of the Danube Delta, superstition and religion are mixed together, like the earth and water that make up the mysterious mud from Tekir’s area, not far away. Chased away from her village because of her mysterious pregnancy, Mara finds herself employed at the Europa Hotel, providing treatment for infertile women using this miraculous mud. As she meets the rich and eccentric Mrs. Lili, Mara questions her beliefs and intuitions. The relationship between the two women is the key of the miracle of Tekir, between magic and power, tradition and modernity.

"Inscrit à l'intersection de la terre et de la mer, LE MIRACLE DE TEKIR est un film profondément féminin, approchant l'énigme de la création par-delà celle de la maternité. Le jeu de la vérité auquel s'adonnent Mara et Lili autour d'un feu ajoute du mystère au mystère. Les personnages sont ambivalents: la vieille Gitane cupide évoque quelque ogresse de conte, mais se révèle sage-femme. Mettre en scène l'inexplicable implique des ellipses et des questions sans réponses susceptibles de dérouter le spectateur. Qui est le père de l'en-fant que porte Mara? Le fantôme d'un garçon qu'elle aima jadis? La boue vivante? Le prêtre? Vers qui, vers quoi se tournent les protago- nistes au dernier plan d'une fin ouverte?"
Antoine Duplan, Le Temps

L'HISTOIRE C'EST MOI

LIEBE IN DEN ZEITEN DES KRIEGES (Theo Stich)

Liebe und Sexualität müssen unter schwierigen Bedingungen gelebt werden. Aber Entbehrung und Leidenschaft machen die Menschen erfinderisch. Die Männer sind während Monaten abwesend, Urlaub bekommen sie nur selten. Die Lücke, die sie in den Familien und den Dörfern hinterlassen, wird zum Teil geschlossen durch in der Gegend stationierte Soldaten oder Internierte.

Le service actif ne facilite guère les relations entre les hommes et les femmes. Les hommes sont absents pendant des mois et les congés sont rares. Le vide créé par leur absence au sein des villages et des familles est en partie comblé par les soldats en stationnement ou les internés militaires. En ce temps-là, l'amour et la sexualité se vivent dans des conditions difficiles. Mais la privation et la passion rendent les gens inventifs.



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