Le Temps - 1 JOURNEE de Jacob Berger
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S'il fallait chercher, près de chez nous, très près de chez nous, un film récent qui, dans ses moments de grâce, fait preuve d'une méticulosité labyrinthique proche, toutes proportions gardées, de celle d'INCEPTION de Christopher Nolan, il y aurait plusieurs exemples suisses. Comme si, après tout, le rêve et les limbes de l'existence étaient les vrais grands domaines fictionnels où nos cinéastes n'ont pas peur de s'engouffrer, à la suite du JENATSCH de Daniel Schmid, et sans crainte de la banalité et des stéréotypes touristiques. Ainsi de PLUS LA POUR PERSONNE, de Jean-Laurent Chautems. Ou ainsi, puisque le voilà enfin édité, de 1 JOURNEE, le troublant film à tiroirs de Jacob Berger.
Outre une scène inoubliable preuve de la maîtrise folle dont Jacob Berger est capable dans ses meilleurs moments où Bruno Todeschini, persuadé d'avoir percuté quelque chose avec sa voiture (un animal? un être humain?), cherche en vain sa victime, 1 JOURNEE est un film nolanien en ceci qu'il construit un puzzle, ou plutôt le cisèle et le dentelle, en adoptant les points de vue de trois personnes d'une même famille lors d'une seule journée. Ou comment, par le seul jeu de ce qui les rapproche ou les éloigne, par celui aussi des angles morts, le désir est une essence.